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The Norton Manual of Music Notation, by George Heussenstamm
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The Norton Manual of Music Notation is designed to serve as a practical guide to music handwriting and music-writing procedures. It provides the music student with an essential tool for learning to put notes down on paper with clarity and speed. At the same time, it serves as an indispensable reference to a wide variety of notational conventions.
Part I deals with ELEMENTS OF NOTATION, arranged in the order they are found in printed music, i.e., clefs, followed by key signatures, time signatures, etc. For each element, a model, a model is given and, where appropriate, simple drills provided.
In part II, the ELEMENTS ARE COMBINED and the student is introduced to considerations of spacing, changes of meter, clef, and key as well as the notation of syncopation and irregular divisions of the beat.
Part III delineates SCORING PRACTICES ranging from notating two lines of music on one staff to discussions of transposing instruments, orchestral score layouts, and the extraction of instrumental parts.
The author provides an appendix designed for those who wish to achieve more professional results; copying tools, materials, and techniques, as well as popular-music notation are described in detail.
George Heussenstamm is a frequently-performed composer who has prepared his own scores for years. The copying skills he developed enabled him to give very successful courses in music notation at several California universities. The present book is the practical result of his experience as a teacher and professional copyist.
- Sales Rank: #255723 in Books
- Published on: 1987-02-17
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .50" w x 7.10" l, .81 pounds
- Binding: Paperback
- 168 pages
From the Author
This book is essential for all composers and arrangers. My book covers all essential aspects of traditional music notation. My experience as a teacher of music theory at the college level has shown that students of composition are very weak in their knowledge of the rights and wrongs of music notation. My book serves to correct this fault in a clear and concise manner. Even for those composers who produce musical scores on a computer program, they must have a clear grasp of notational principles, since the computer does not know all of the rules. A score that is correct in every way in terms of notation is extremely important if you expect to receive performance. -- George Heussenstamm
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great Manual For Music Notation!
By Dwight Townes
Excellent source of information on music notation!
A must have for the serious aspiring musician.
4 of 4 people found the following review helpful.
The Other Side of Reading Music Notation
By James Hyden
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In my humble opinion, your reading skills and overall understanding of music notation will be improved if you take the time to write as much as possible. I have found this book to be a great help and resource in helping explain music writing practices.
Here is an excerpt from the product description: (taken from the back of the book)
"The Norton Manual of Music Notation is designed to serve as a practical guide to music handwriting and music-writing procedures. It provides the music student with an essential tool for learning to put notes down on paper with clarity and speed. At the same time, it serves as an indispensable reference to a wide variety of notational conventions."
Here is the Chapter Breakdown from the Table of Contents:
PART ONE: ELEMENTS OF NOTATION
1. Basic Writing Materials
2. Clefs
3. Key Signatures
4. Time Signatures
5. Accidentals
6. Noteheads and Stems
7. Ledger Lines
8. Barlines
9. Intervals and Chords
10. Accidentals in Intervals and Chords
11. Flags and Beams
12. Augmentation Dots
13. Rests and Pauses
14. Ties and Slurs
15. Dynamic Marks
16. Repeat Signs
17. Articulation Marks
18. Ornamentation Signs
PART TWO: COMBINING THE ELEMENTS
1. Spacing
2. Changes of Meter, Clef and Key
3. Courtesy Accidentals
4. Notating Syncopation
5. Notating Irregular Subdivisions of the Beat
Part Three deals with 'Scoring Practices' while the author also provides an 18 page Appendix as well as a bibliography for further reading and research.
Additional clarification is provided in the Preface. Here is an excerpt:
"Parts I and II deal with music written on a single staff - first as a single line of notes, then as two lines of notes. In Part III, music on two or more staves, from simple piano notation to full orchestral score is discussed. The manual is organized for maximum accessibility and clarity."
AND:
"Since this is a manual devoted to basic procedures in music notation, brevity and concision have been our constant watchwords. You will not find special instrumental signs or theory symbols herein, and are therefore urged to refer, when appropriate, to a good orchestration text, a theory book, etc."
Additionally, the book includes exercises to strengthen and reinforce what you've learned.
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20 of 26 people found the following review helpful.
great
By A Customer
I found particulary useful the advice about how actually to draw musical symbols, and I enjoyed reading the chapter on "Popular-Music Notation", which really has to do with special notational practices for film, television, and recording session use,--although I happen to have no need for this sort of thing myself.
I have one small objection to lodge, however: the author uses the word "meter" through out to mean time signature. Though the distinction is moot in this context, at this stage of notation, it is important at an earlier stage of notation--that is to say, you need to understand the difference between "meter" and "time signature" in order to decide properly what time signature to use.
The distinction is analogous to that between "key" and "key signature". A key signature of two sharps, for example, tells us to sharp all F's and C's and only implies that we are in the key of D major or B minor. A tonal piece of any length and complexity will at some point change key without changing its key signature. Just so, a time signature of 3/4 tells us there will be three quarter notes worth of time in each measure and only implies that we will hear groupings of three beats or pulses. A piece of any length and complexity written will at some point change meter without changing its time signature.
See all 13 customer reviews...
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