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You will never diet again.

Say goodbye to calorie counting, restrictive food bans, or other forced behaviors. In Mini Habits for Weight Loss, you will learn how to lose weight naturally, in the precise way your body and brain are meant to change.

We've blamed ourselves for lack of discipline. That didn't help.
We've blamed calories, carbs, and fat. That didn't help.
We've blamed our diet formulas. That didn't help.

It's time we looked at the practice of dieting.

Nearly all diets are ineffective because they're based on dieting. Every person has a diet (noun), but it's only if you are trying to lose weight that you diet (verb). Dieting is eating and drinking sparingly or selectively to reduce your weight.

It doesn't work. If you've tried dieting, you know that.

Even the "perfect diet" with the right foods will fail if it's approached from the traditional dieting perspective. Since weight loss experts are more concerned with biology than neuroscience, we get brilliant discussions on nutrition followed by the same dumb suggestion to "immediately start eating completely different foods than the ones you're habitually used to eating, and give up everything else."

Are You�Fighting Your Own Body and Brain?
The brain resists dramatic behavioral shifts. Recognizing this and developing a strategy around it made the original Mini Habits the #1 selling self-help book in a number of countries. In Mini Habits for Weight Loss, you'll see�that we also biologically resist such changes, which explains why most dieters and smoothie-cleanse aficionados lose weight in the short term, only to gain it all back (and more) when the body adjusts.

Mini Habits for Weight Loss will show you how to make dietary changes in a sustainable, permanent way that doesn't trigger biological or neurological resistance.

It's a�specialized version of the method that made the original book a hit in 14 languages. The mini habits remain easy to implement, but the reasoning and supporting tactics�are more sophisticated. This is by necessity, as weight loss factors are many and varied. The strategies�in the book are rooted in extensive biological and neuroscience research.

You'll discover:

• Why it's a terrible idea to forbid junk food.


• How some of the most impactful changes you can make don't involve either diet or exercise.


• Why conscious calorie restriction causes long-term weight GAIN, and how this science has been publicly available (and ignored) for more than 30 years.


• How the body's change process mirrors that of the brain, and why that is great news for losing weight.


• Creative strategies to mitigate weight gain from eating out, social events, and holiday binge sessions.


• Why eating fruit is essential to losing weight (for lots of reasons).


• The role of exercise and an active lifestyle in weight loss, with appropriate strategies.

Most importantly, you'll learn how to change your behavior and lose weight in the long term with mini habits.

Instead of reading yet another dieting book, why not try a proven behavioral change strategy that your brain and body will welcome and respond to?

Lasting change won't happen until you take that first step toward a strategy that works.
Read Mini Habits for Weight Loss, and you'll never diet again.

• Sales Rank: #17152 in Books
• Published on: 2016-11-29
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .57" w x 6.00" l,
• Binding: Paperback
• 252 pages

Review
Author Guarantee: I will never buy, trade, or otherwise ask for a favorable review. Here are some quotes from Amazon reviewers:

"I've already lost 12 pounds and my scale hasn't budged in a decade! Insanely easy to follow and explained in detail why it works and it makes so much sense. This book was life changing for me."
- Nancy I (verified purchase)

"This book can simply change your life. I know - I've been dieting all my life and got nowhere, but can see how the strategies described in this book can change it forever."
- Amazon Customer J (verified purchase)

"I've tried SO MANY weight loss things to no avail. I'm doing mini habits now and crushing it--with seemingly no effort. I recommend this to everyone who desires to make sustainable changes. This book is the best investment you can make in yourself. Stop giving your money to the diet industry!"
- Erina (verified purchase)

"This is an excellent book. I've read the original Mini Habits book, which was also excellent, but I didn't think this would have much to add to the original book. I was definitely wrong, I'm glad to say. This book provides a fresh perspective on the concepts of dieting, exercise, and weight loss."
- Tomeika Ulett-Garcia (verified purchase)

"I finished this book about a week ago and decided to simply switch out skim milk yogurt for whole milk yogurt and add fruit to breakfast and lunch in the 2X2 plan talked about in the book. With these very small changes, I have lost three pounds in the last week and we are in the throes of the holiday season. What appeals to me most is as you are establishing mini habits, you are adding to, not subtracting from, whatever you already do. I have still had pizza this week and have not restricted anything else, I have only added in. Please understand that this is about changing what you do OVER TIME. If you are desperate to crash off some weight, this book is not for you. Take a deep breath, slow yourself down, get some patience and then get this book."
- Jenteachbd (verified purchase)

"This has changed my way of thinking about diet and weight loss."
- Lee (verified purchase)

About the Author
Stephen Guise is driven by his desire to find the most effective behavior change strategies. To help others maximize their potential, he has developed an array of unconventional, result-driven ideas. In particular, his ideas of extreme willpower conservation, no-motivation-required action plans, multiple-cue habit formation, success-cycling, and "stupid small" steps form the unique foundation of Mini Habits, which is being published in more than a dozen languages.

Most helpful customer reviews

59 of 61 people found the following review helpful.
This book can simply change your life.
By Amazon Customer J
This is not just another a dieting book. it does not have recipes. It does not tell you to eliminate this or that from your diet. None of that crap. None of the usual 'you need to motivate yourself' hype.

This book can simply change your life. I know - I've been dieting all my life and got nowhere, but can see how the strategies described in this book can change it forever.

I'm a big fan of Stephen Guise's Mini Habit strategy to habit formation. And here he has written another book that can help people get healthier, slimmer, happier in a simplest, easiest to implement and successful way. The author applies his famous Mini Habits principles to eating habits, bypassing completely the ineffective, hyped-up mainstream dieting strategies, showing why they don;t and can't work.

Diets make us fat. If we really want to lose weight, he argues, our goal should not be losing weight, but changing our behaviour And this is achievable through changing our habits, because consistency is the key to lasting behavioural change.

Stephen present scientific evidence to support his claims. He also gives multiple examples of effective strategies. Do you know there are 8 ways in which you can stop drinking soda drinks? Out of them, only 1 is really about forcing yourself to stop drinking it outright. The remaining 7 are much more realistic and 'user friendly', and therefore more likely to be adhered to and - consistent!

I like when he debunks some oof my 'pet hates' dieting myths of 'healthier option a.k.a. a smoothie' or a diet foods and drinks, low-fat dairy, the 'I deserve it' trick (one of my weakest points, I admit). he also gives plenty of strategies for dealing with temptations, cravings, grocery shopping, eating out, etc - and all of it realistic!

Stop dieting - change your life and your weight with Mini Habits for weight loss!

41 of 45 people found the following review helpful.
His tone makes all the difference!
By Heather
This book came out at the right time for me. People who are trying to lose weight, myself included, are often stuck in a very negative spiral of thinking about themselves. Guise's tone is so uplifting in this book, which has made a big difference to me from the first page.

There is one passage that really stood out to me: "Mainstream motivational theory states that, in order to enact change, one must simply "want it more."...it's a pity that we're not motivated enough to save our own lives and live better. But wait...the weight loss industry made $64 billion in 2014. When that much money is spent on something, it means public interest is through the thermosphere...people have willingly suffered and paid money trying to lose weight, and they are still being told their desire for change isn't strong enough. That's so wrong it's criminal...People have plenty of desire, they just need a smart strategy that doesn't rely on doing the impossible."

Guise is on our side! He gets it. I've never heard something like this said before. I've read other weight loss and self-help books that make you feel less than human; a lot of people just aren't patient or nice to you if you're overweight or depressed. But Guise never talks down to you. He's jovial and friendly. He jokes with you! And his ideas are so well-researched and well-reasoned that you can't help but feel hopeful.

5 of 5 people found the following review helpful.
a radical change in mindset
By Happy Sea Slug
Have you ever eaten a decadent slice of cheesecake, only to finish and think, "Man, I could really go for some vegetables right about now"?

If not, let me introduce you to Stephen Guise and the concept of mini habits. The idea, as conceptualized in this book, is not to take an approach of deprivation and radical change, but to make small, incremental, consistent changes that ultimately result in a permanent, healthy lifestyle. Stephen (can I call him Stephen?) is upfront from the beginning: this is not a journey of quick fixes, rapid weight loss, and cleanse diets. This is about working with the brain's natural resistance to change by fooling it into thinking you're not asking much from it. And really, you're not. If your goal is to do one push-up a day, you will find yourself down on the ground much faster than if your goal is to do 20. And once you are down there, you will do some more. It's human nature. The hard part, the decision to do a thing, is over at that point. And even on your worst day, even if you really only can do one, you've still made some forward momentum and reinforced that daily habit.

I only finished this book a couple of weeks ago, but I have already seen the changes happen. The most brilliant stroke was in never making a food craving off limits, no matter how ridiculously unhealthy. Instead, he encourages a movement toward healthy food, a letting go of the binary way we think about eating (''I'm going to eat healthy'' vs ''I'm going to eat badly.'') As he says in his book, you know what's better than three slices of pizza? Three slices of a pizza and a salad. It's pithy and funny, but there is much wisdom here. When we're at a party, we don't have to decide between carrots and cookies. We can have both. And that realization is the spark of something rather profound. The more whole foods you eat, the more you incorporate them into your daily life, the more you want them for their own sake, not because you should eat better, or because you are desperate to lose weight, but because they are tasty and make you feel good.

My nutrition mini habit, one recommended by Stephen, is to make one healthy food upgrade a day. That means a banana with breakfast, or a vegetable with lunch, or water instead of soda for a meal... just one healthy change from the norm. What I've found, as Stephen predicted, is most days I do far more than that. Some days I find myself concocting entire meals from scratch, just because I would rather eat that. But even on my worst days, I can make that one change and feel like I have forward momentum. Thus I have found myself eating fresh vegetables alongside leftover pizza, and a red bell pepper after I finished my cheesecake.

What's remarkably different from previous attempts to shift to a healthy lifestyle is that for the first time ever, it feels like a choice. Not some hard-nosed restriction I'm trying to impose on myself for my own good, but just making choices amidst the ebb and flow of everyday life (the fact that my other mini habit is sitting down on my meditation cushion before bed doesn't hurt... I am much more mindful of my eating habits based on increased meditation alone.) Even my fast food addiction is waning, not because I've forbidden it, but because I've noted that fast food generally makes me feel like crap. I'm saving my sweet tooth for higher quality desserts, stuff I really love. I'm no longer eating with an attitude of scarcity - I shouldn't be having this, I must eat it now because I can't have it later.

When there is no famine, there is never any need for feast. I ate out at three restaurants this weekend, and not once did I overeat or feel guilty about my choices. It's the difference between "What's one small thing I can do to make this healthier?" and "Screw it, I'm going to eat all the things." When you're working within a more reasonable framework, when you stop with all or nothing thinking, you make more healthy choices than you would imagine, and you don't have to fight your lazy brain to do it.

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Mini Habits for Weight Loss: Stop Dieting. Form New Habits. Change Your Lifestyle Without Suffering. (Volume 2), by Stephen Guise PDF

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[B278.Ebook] Fee Download The Untilled Field, by George Moore

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"The Untilled Field" from George Moore. Irish novelist (1852-1933).

• Published on: 2015-05-14
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .48" w x 6.00" l, .64 pounds
• Binding: Paperback
• 212 pages

About the Author
George Augustus Moore (24 February 1852 – 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. Moore came from a Roman Catholic landed family who lived at Moore Hall in Carra, County Mayo. He originally wanted to be a painter, and studied art in Paris during the 1870s. There, he befriended many of the leading French artists and writers of the day. As a naturalistic writer, he was amongst the first English-language authors to absorb the lessons of the French realists, and was particularly influenced by the works of �mile Zola. His writings influenced James Joyce, according to the literary critic and biographer Richard Ellmann, and, although Moore's work is sometimes seen as outside the mainstream of both Irish and British literature, he is as often regarded as the first great modern Irish novelist.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Groundbreaking work
By stoddard martin
This interlinked group of stories anticipates Joyce's 'Dubliners' by years and prefigures in many respects not only that book but its successor 'A Portrait of the Artist as a Young Man'. Moore's accounts of mean Irish life are both tender and acute in analysis. The penultimate tale 'The Wild Goose' subsumes one of the finest uses in literature of the philosophy of Nietzsche, especially his famous lines on 'stellar friendship'. We see here a new 20th century impulse towards self-realization struggling against the nostalgia it inevitably entails, a condition of soul that would be so beautifully etched in 'The Dead' and in the peregrinations of Stephen Dedalus, as well as works that go beyond the Irish scene - Jack London too springs to mind: 'Oakland was only a place to start from'.

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[P320.Ebook] Ebook Download The Shroud (Madison Dupre), by Harold Robbins, Junius Podrug

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Art investigator Madison Dupre knew the offer was too good to be true: $20,000 for a quick trip to Dubai, the fantastic Arabian Nights city on the Persian Gulf. �The call came from Sir Henri Lipton, a man who was supposed to be dead—and who she sincerely had hoped was burning in hell because he had ruined her career before his violent “demise.”� He�told her only�one tantalizing thing about the piece of art: “Let’s just say it’s a couple thousand years old and was buried with Christ.”� The fact the offer came from a man wanted on three continents for art looting was fair warning that there would be a catch.�

But with credit collectors and an avaricious landlord pounding at her door,�Madison listened when the devil whispered magic words in her ear: $20,000– cash – upfront. �There was a catch, of course. �A number of them. �Sir Henri was up to his neck in conspiracies and needed someone to deflect the danger onto—not to mention frame for the most audacious art theft in history.� Dubai, a city that has been called Las Vegas on steroids, would just be the first stop for Madison on a quest that takes her to an ancient Mesopotamian city, the dark streets of exotic Istanbul, Venice at Carnival time, and a cathedral where the most sacred object of Christendom is stored.� Along the way, she finds romance in the arms of a Russian agent who she doesn’t trust—and can’t resist.

�

• Sales Rank: #2891269 in Books
• Brand: Brand: Forge Books
• Published on: 2009-10-13
• Released on: 2009-10-13
• Original language: English
• Number of items: 1
• Dimensions: 9.59" h x 1.22" w x 6.49" l,
• Binding: Hardcover
• 336 pages

Features

• Used Book in Good Condition

From Publishers Weekly
Podrug's workmanlike fifth contribution to the Robbins franchise (after The Looters) ventures into religious thriller territory. Madison Dupre, disgraced antiquities expert, is scratching out a living in New York City when Henri Lipton, the hated associate who she thought had been killed in an earlier adventure, offers her much-needed cash to help him track down a religious artifact—a supposed painting of Jesus that was buried in His tomb after the crucifixion. Lipton intends to sell the painting to a Russian holy man, Boris Alexandrovich Nevsky. Maddy survives several attempts on her life and has numerous sexual encounters as she races from city to city in an effort to locate the artifact. Even though Podrug employs the Robbins fundamentals—sex, action and exotic locals—the result lacks the primal heat of Robbins's best. (Oct.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Born in New York City, HAROLD ROBBINS�is one of the world's bestselling authors, writing novels that often mirrored his own experiences and that were peopled by�characters he had met.

JUNIUS PODRUG was selected by the Robbins Estate to carry on the ideas, uncompleted works, and tradition of Harold Robbins because he was both a friend of Harold's and a writer whose books Harold admired. He is the author of Harold Robbins'�The Betrayers and The Decievers.

Excerpt. � Reprinted by permission. All rights reserved.
PART ONE
Death by Orgasm
1
New York
It was one of those days I should have stayed in bed, hidden under the blankets; a day during which I discovered that not all secrets stay buried, nor do the dead always remain in their graves.
Having had only four hours of sleep, I could have slept for several more, but I had an appointment with an important client who lived on the Upper East Side of Manhattan and I had already pressed the snooze button twice on my alarm clock.
I finally dragged myself out of bed when the alarm went off a third time.
I wasn’t in a good mood.
Losing sleep because I had been up until the wee hours partying would have made the loss more bearable, but instead I had gone to bed feeling lonely, and woke up in the middle of the night with flashes of the wrong turns I’d made in life racing through my mind on fast-forward.
Meeting this client was especially important because she was the only customer of my art inquiries business at the moment.
Nearly a year had passed since bad decisions and worse karma had roared through my life like a tsunami and I was still trying to pick up the pieces and stay on my feet. Overnight I went from a high-paying job and the Good Life, Manhattan-style, to wearing down shoe leather and popping antacids as I tried to get an art consulting business going.
Madison Dupre, Art Inquiries, that’s me. I didn’t deal in paintings, which is what most people usually imagine when the word “art” is mentioned. My field is antiquities.
The traditional definition of an antiquity is an artifact dating back to ancient times, from around the fall of the Roman Empire fifteen hundred years ago and back thousands of years. That wouldn’t include medieval times, but I use the word “antiquities” to include pieces made before the late Re nais sance, which means anything made later than about four or five hundred years ago.
The word “art” is also used broadly. The marble statue of the Venus de Milo was created by a Greek artist as a piece of art more than two thousand years ago; the plain clay cup that the artist drank wine from while sculpting the statue is also considered an objet d’art today, something that collectors might well pay a small fortune for.
If it’s ancient and rare, it’s worth a great deal of money. If it’s also something beautiful to behold … well, a price can’t be put on the Venus de Milo, but I’ve seen porcelain vases gofor thirty, forty million dollars and some art pieces fetch more than a hundred million.
As you might imagine, private art collecting on that level is a billionaire’s sport.
Buying, selling, collecting, appraising, and authenticating antiquities is an exciting business, one that I’ve had a love for since an early age. It’s not just exquisite workmanship that stirs my emotions, but also that every piece has a story because it came out of a page of history.
When I look at a shard from broken Egyptian earthenware, I don’t just see a chip from a clay jug; instead, knowing the history of Egypt, I imagine the splendor and pageantry of the pharaohs, the enigmatic Sphinx and Great Pyramids rising from the desert sands, and even the time I sailed on the Nile in a felucca when I was researching a—oh, God, those were the days.
These days the only sailing I did occurred when I occasionally got a cold wind behind me as I wore out shoe leather trudging down long New York blocks trying to drum up business.
I have a master’s in art history, a minor in archeology, and a decade of work as a successful museum curator. As Oscar Wilde probably once said about his own talent, that should have been enough. But a vengeful God, that dark lady called Luck, bad karma, or what ever, hadn’t finished punishing me for my transgressions.
Not that I felt that guilty—I had made a mistake, but when I found out that a three-thousand-year-old antiquity, which had survived the ravages of war, nature, greed, and ignorance, was in danger, I did what was necessary to save it. Unfortunately, instead of getting a medal, my career and reputation took a hit as if they had been embraced by a suicide bomber at the moment the button was pushed.
If I could do it all over again, I would do things a little differently, but my primary concern would still be to make sure the artifact was honored and protected.
The woman I had to see was one relic I wouldn’t have minded if someone had dropped and broken.
A genuine Bitch with a capital B—pushy and annoying—she had already changed her mind twice about buying a piece of art that I appraised and authenticated for her. I had a feeling she was about to change her mind again. The woman was wealthy but had the worst possible traits when it came to buying art—she had bad taste and haggled endlessly over prices.
Someday the woman would be arguing with the dev il about her place in hell.
I hadn’t been paid yet for the work I’d done for her and I had a Bastard with a capital B of a landlord who was hoping to take my overdue rent out in trade—and not the art kind.
I have discovered a quirky thing about life—when you’re really down and don’t need to be kicked again, you put out a scent that tells unhappy, neurotic jerks that you’re available and vulnerable. When I was up, I would have blown past these kinds of people without noticing they were alive. Now I had to tiptoe around them and hope they didn’t know I was alive.
I quickly showered and dressed. I had selected my clothes the night before, a habit that my mother instilled in me when I was a little girl. It saved a few minutes in the morning, especially helpful if you were running late.
I grabbed a cup of coffee and a blueberry muffin at the local deli on my way to the subway station. The coffee was steaming hot the way I liked it, and the muffin was surprisingly good, but I was still in a grumpy mood. When I got to the subway, I missed the train by thirty seconds, which added to my irritableness.
During the night I’d only gotten a few hours of deep sleep before a couple in an apartment below me decided to wake up everybody in the building with their loud arguing. Every once in a while someone yelled for them to shut up and/or die soon and even more vulgar suggestions, but it didn’t do any good, not until the police finally arrived.
I usually woke up in the wee hours anyway—and not just because New York is a city that never sleeps, the middle of the night being the haunt of trash collectors, sirens, construction crews, delivery trucks, traffic, and anything else that makes noise.
I lay awake and miserable because I couldn’t shut down the video in my head that replayed all of my sins and mistakes. It was like being forced to watch an excruciatingly bad movie, over and over, while tied to a chair with my eyelids taped open.
In the good old days—less than a year ago—I had slept peacefully when I lived on the Upper East Side. Not only were things a lot quieter there than in my present breadbox-sized studio apartment on the cusp of Chinatown, Little Italy, and SoHo in lower Manhattan, but my nerves were not on fire. Those champagne days were gone, much too quickly. How does that line from an old poem go? They are not long, the days of wine and roses …
As I waited for the train, I swore an oath to stop feeling sorry for myself and agonizing about the past. I had to get rid of the negative and emphasize the positive—but not this morning. Not until after I got paid by the rich Bitch with a heart of stone and dreadful taste in art.
I got off the subway at Fifty-ninth Street and started walking toward Sixty-fourth, an area of the city noted for its wealthy inhabitants in the old days and where not a few rich people still resided. I knew it was a clich� but as I walked I kept thinking about how the rich were so very different from everyone else. They had different problems than the rest of us, and money, the root of all the current evils plaguing me, wasn’t one of them.
The Upper East Side ran north and south from about Fifty-ninth Street to Ninety-sixth Street and east and west from Fifth Avenue to the East River. My place had been in the upper Eighties, a pent house with a park view not far from where I used to work at the Piedmont Museum on the stretch of Fifth Avenue known as Museum Mile. The area included a dozen or so museums, some world-class, with the Metropolitan topping the list.
When I made big money, I planned to find my way uptown again, maybe this time to the Upper West Side near the park. It was younger and hipper than the old money side and had come into its own with lots of caf�s and shops. It wasn’t cheap, either. Nothing was cheap about Manhattan, not even the walk-up studio I had now, a zillion blocks from the haughty uptown districts.
One of the things I missed about living close to Central Park was the beautiful architecture of the residential buildings. The tree-lined streets were also calm and peaceful. It was one of the quietest and cleanest areas in the city. Who wouldn’t want to live here? You only needed about three or four million to buy even a small town house on a side street. Sure, no problem. Even renting one of these places could set you back more money a month than the average person earned in a year.
The most palatial mansions and apartment houses were found along Fifth Avenue and Park Avenue stretching from the mid-Sixties to the Nineties. Some had been mansions of nineteenth-century barons of railroads and industry and were now subdivided into apartments and condos. The really exclusive buildings had multifloor units with a dozen rooms. One of these was where my former employer, Hiram Piedmont, lived. He occupied the top two floors.
Hiram never worked a day in his life and had everything money could buy—including his own museum in an era when possession of a “priceless” piece of art was viewed as a trophy akin to owning a baseball team or a Kentucky Derby winner.
When things got tough, his money sheltered him. He taught me a lesson about rich people that F. Scott Fitzgerald noted a long time ago—the rich can be careless with other people’s lives.
Hiram had wanted a world-class museum and I gave it to him. My expertise in antiquities centered on the region in and around the Mediterranean—mostly Greek, Roman, Egyptian, and Mesopotamian.
I focused Hiram’s museum on the Babylonian era and found him pieces that were displayed in movielike sets that brought out the magnificence not only of the ancient artifacts but brought home to the viewer the cultural context. For instance, rather than having a sword displayed under glass in a case or mounted on the wall, I had the sword put in the hand of a character from the same historical era … and with the character in battle.
I did make a little mistake—okay, about fifty-five million dollars’ worth of mistake, when I bought a looted antiquity at auction. I could have kept my mouth shut and kept my job, but in the end, I had to do the right thing. And I’d do the same thing again if I had to do it all over. But I had a lot of help getting up to my tush in alligators, including a push and a shove from Hiram, to whom that kind of money was chump change.
When things got really tough, his faithful employee—me—was thrown to the wolves, along with all my status symbols: not just my pent house and sports car, but an actual parking space that cost more per month than I pay now for my studio apartment. The wolves also devoured my exclusive, by-invitation-only black American Express Card, which had been my own measurement that I had “made it.”
Gone were the days of going to expensive restaurants and shopping at high-end stores and boutiques on Fifth Avenue. I eventually sold most of my jewelry and expensive clothes for food and shelter. Most of my clothes now came from the sale racks at clothing stores in my neighborhood, and splurging on dinner meant takeout from the local deli and my favorite Thai and Chinese restaurants.
Since I no longer got a steady paycheck, I became more frugal about how I spent my money. I was self-employed now as an art appraiser and investigator and I got paid when clients paid me, which wasn’t always in a timely manner. The wealthy were often worse in paying than the not-so-wealthy, but they were also the ones who bought high-ticket art and antiquities.
Passing a small art gallery, I quickly popped inside to drop off my business card and a pamphlet with my qualifications—minus the fact I had once been innocently involved in one of the great antiquities frauds in history.
Unfortunately, the international art trade was literally a cottage industry with all the major players knowing—and spying on—each other. It wasn’t easy to keep a low profile when you had once been a player.
In the past, I went to auctions at Christie’s and Sotheby’s in New York and London. Bought vases and statues, jewelry and swords, and anything else old and rare and desirable, even a mummy once, spending millions with a flick of my numbered auction house paddle.
Now I wore out my shoes and pride cold-calling galleries and antiques shops whose entire collections often didn’t amount to the tens of millions I once—
Shit! I had to stop my whining and crying over spilled milk and what ever else I was drowning in and keep telling myself to think positive, radiate good vibes, feel grateful for having good health … but all that went to hell when I got hounded by credit collectors.
I have actually made friends with one of the collectors, a “Mrs. Garcia”—which I found out is not her real name. When the message I scribbled on the Saks bills I received, “Deceased—Return to Sender,” didn’t fool anyone, Mrs. Garcia began a relentless phone call campaign.
Now we exchange pleasantries when she calls to remind me that I haven’t gone through on my last promise to send money (a promise made not only with my fingers crossed, but contingent upon getting a fee I never got). When she calls, we talk about how hard things are for working people, how her son is doing poorly in school and can’t stay out of trouble, and I tell her war stories about dealing with rich people and how it’s harder to pry money from them than to extract teeth from snapping alligators …
As I left the gallery, my cell phone rang. I looked at the number and groaned. It was Mrs. Bitch, the collector from hell.
Please don’t change your mind again.
I answered the phone in a professionally pleasant voice. “Hi, Mrs. Winthrop. I’m on my way to your place.”
“Don’t bother,” she said.
“I’m just a few blocks away—”
Excerpted from Harold Robbins’: The Shroud by Junius Podrug.
Copyright � 2009 by Jann Robbins.
Published in October 2010 by Tom Doherty Associates Book.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

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1 of 1 people found the following review helpful.
entertaining thriller
By Harriet Klausner
In New York City, dishonored antiquities expert Madison Dupre struggles to make a living ever since her reputation was shattered by the duplicitous late Sir Henry Lipton. Whenever she thinks of the man who destroyed her, she prays he is burning in hell.

Thus when her former associate calls her proving his death was an exaggeration, she is disappointed he still lives. However, Sir Henri, wanted on at lest three continents for art theft, offers her a deal she would love to refuse, but the $20,000 is desperately needed so she agrees to join him in Dubai in search of a painting of Jesus allegedly interred with him in his tomb just after the crucifixion. Sir Henri has an impatient client, Boris Alexandrovich Nevsky, eager to add the artifact to his collection. As she soon escapes death in Dubai, Istanbul and elsewhere, Madison knows she should have said no although the Russian is quite a hunk even if she distrusts him outside the boudoir.

The follow up to the LOOTERS is a typical Junius Podrug version of the late Harold Robbins' thrillers: filled with sex, sex, action, and sex in exotic locations that add to the intrigue of a heroine as a stranger in a strange land. The story line is fun to follow as Madison is having a good time dodging assassins though the plot is thin and too much in style like the "franchise" even with a strong religious element throughout the tale. Still fans of Mr. Robbins will have a good time following the lead female's escapism as Mr. Podrug provides an entertaining thriller.

Harriet Klausner

0 of 0 people found the following review helpful.
Another Wild Adventure in World of Expensive Artifacts.
By Peter D Schneider
Another great book of twists and turns that keep you riveted in every chapter. The port of calls in this book are very detailed and filled with history lessons. The tails of sex and intrigue are as good as ever. Never know who is the good guy and bad. Enjoy the magic carpet ride. You won't be disappointed if you love the Harold Robbins books.

2 of 3 people found the following review helpful.
robbins
By Mary L. Mahaney
this book had a different feel from the other Harold Robbins books...good read and very interesting

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[T975.Ebook] Download PDF The Rest Is Noise: Listening to the Twentieth Century, by Alex Ross

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Winner of the 2007 National Book Critics Circle Award for Criticism
A New York Times Book Review Top Ten Book of the Year
Time magazine Top Ten Nonfiction Book of 2007

Newsweek Favorite Books of 2007
A Washington Post Book World Best Book of 2007

In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

• Sales Rank: #68546 in Books
• Published on: 2008-10-14
• Released on: 2008-10-14
• Original language: English
• Number of items: 1
• Dimensions: 8.26" h x 1.28" w x 5.52" l, 1.58 pounds
• Binding: Paperback
• 720 pages

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2 of 2 people found the following review helpful.
The Rest is Noise, a Companion
By Irwin H. Moss
Simply put this may be the best survey of 20th Century music I have read. It is lucid, colorful and certainly entertaining. I read Ross in the New Yorker so I was all the more surprised and delighted to find him more expansive and colorful than that which appears in his column. Here he takes time (and space) to introduce and transit one from one section to another, as does Sibelius in my opinion.

Ross disclosed no composer whose name was unfamiliar to me until he got into Ligeti et al. My mind is open but alas my ears are not.

I am not a musician so I cannot comment on his detailed musical analysis of the various pieces in which he explored technical matters; I simply skipped those. I read all else to my great pleasure. He never fails to add to my knowledge and therefor enjoyment of music I listen to.

Highly recommended with one caveat: He gives to short shrift to most 20th century British composers of the pre and immediate post WWII era. Britten may be all fine and good for some, I am not one of those. Ross' virtually passing over RVW is shocking and more than annoying to me.

Still, it is his book. I feel I can comment on what he offers us. I don't feel I can criticize that which he doesn't offer.

My nose grows longer: He passed Elgar as though he never lived. I am not fond of him but he is not to be ignored.

6 of 6 people found the following review helpful.
All the rest is noise
By slipper maven
I love Bach, Mozart, Beethoven, even Mahler. But anything beyond that, well, to me it has been just noise. However, Alex Ross's book has helped me to listen in a different way. It takes a long time to work through this book because when Ross talks about this or that composer, this or that piece, I have to stop and find the music (usually at my public library) and listen several times to get what Ross is saying, and then I can listen with more insight (insound?). The historical background is fascinating. The political control in music (e.g., Stalin's effect on Russian composers)is an important part of this book. The subtitle highlights Ross's emphasis on how music tells us something about history. I now understand better the physics of sound and the physical effect that music has on the listener. Ross has a list of recommended recordings which I turn to from time to time. I still do not get Messiaen! This books points the reader in many new directions, opens the reader to other options. It's a great read!

0 of 0 people found the following review helpful.
Cacophony in Context
By Peter Holm
A fascinating and well-written guide to what on earth these guys thought they were doing. Cries out for interactivity; if only you could hear excerpts as they were described. Ross' ability to put his subjective experiences of these musics into words gives an inkling, to those of us who like tunes, what else might be listened for when tunes are banished.

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[H580.Ebook] PDF Ebook Product Liability (Point/Counterpoint), by Victoria Sherrow

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Each book in this series offers all the statutes, legal opinions, and studies students need to structure a cohesive argument on a given controversial topic. Issues are presented from multiple points of view; sidebars cite laws and opinions to aid in critical analysis; appendixes help students conduct legal research; and, all sources are fully documented.

• Sales Rank: #3185973 in eBooks
• Published on: 2010-02-28
• Released on: 2010-02-28
• Format: Kindle eBook

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Pound's 800 page Cantos, written over a period of more than fifty years (1917-1969), invites the reader to join the poet on a journey from darkness and despair towards light and positive activity. In this book, George Kearns addresses the reader approaching The Cantos for the first time. He examines the poem's aesthetic and political-ethical-didactic dimensions and shows that despite its complexity and the many objections which can be raised to its poetics and politics, its study can be greatly rewarding.

• Published on: 2015-08-05
• Binding: Printed Access Code

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5 of 5 people found the following review helpful.
A masterpiece, quite simply
By Christelle N.
Agree with Pound's political views or not, this body of work is a masterpiece. Ezra Pound, the founder of the school of Imagisme, exhibits true mastery with poetical form, language and symbolism, writing in English, French, Chinese, Greek... this is an immense body of work with hundreds of poems to feast your mind on. This book changed my life, and I recommend it to anyone willing to invest the time to THINK about poetry and APPRECIATE the craftsmanship of what some call a madman and others, a master.

1 of 1 people found the following review helpful.
Best introduction to Ezra Pound ever
By Babe in the Woods
Kearns is the best guide to Ezra Pound out there, even though this book was written awhile ago. He knows what you need to know to read the stuff and what you don't, and he makes the poetry come alive. There's a lot to get past with Pound -- the politics, the fragmentary style, the arcane references -- but with the influence of Chinese poetry coming to the fore now, and with the underlying total beauty and stay-w0th-you quality of the work itself, Pound deserves your close reading. If you like what you see here, read The Cantos with Kearns's Guide to the Selected Cantos in hand.

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Security is meant to make the world safer. Yet despite living in the most secure of times, we see endangerment everywhere. Whether it is the threat of another devastating terrorist attacks, a natural disaster or unexpected catastrophe, anxieties and fears define the global political age. While liberal governments and security agencies have responded by advocating a new catastrophic topography of interconnected planetary endangerment, our desire to securitize everything has rendered all things potentially terrifying. This is the fateful paradox of contemporary liberal rule. The more we seek to secure, the more our imaginaries of threat proliferate. Nothing can therefore be left to chance. For everything has the potential to be truly catastrophic. Such is the emerging state of terror normality we find ourselves in today.

This illuminating book by Brad Evans provides a critical evaluation of the wide ranging terrors which are deemed threatening to advanced liberal societies. Moving beyond the assumption that liberalism is integral to the realisation of perpetual peace, human progress, and political emancipation on a planetary scale, it exposes how liberal security regimes are shaped by a complex life-centric rationality which directly undermines any claims to universal justice and co-habitation. Through an incisive and philosophically enriched critique of the contemporary liberal practices of making life more secure, Evans forces us to confront the question of what it means to live politically as we navigate through the dangerous uncertainty of the 21st Century.

• Sales Rank: #2129166 in Books
• Brand: Brand: Polity
• Published on: 2013-03-11
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .80" w x 5.50" l, .75 pounds
• Binding: Paperback
• 224 pages

Features

• Used Book in Good Condition

Review

"Makes an important macro-theoretical contribution to the micro-level ethnographies of security� conducted in geography."
Antipode

"In this brilliant book, Brad Evans offers a forceful, cogent, and eye-opening analysis of the complex forces shaping the new normal of terror and security, and provides the theoretical and political tools to challenge it. Liberal Terror should be required reading for everyone concerned about both the changing nature and fate of politics today."
Henry Giroux, Professor of Global Media Networks, McMaster University

"Liberal interventionism is driven by imaginaries of fear and uncertainty. With its desperate quest to control ungoverned space and eliminate autonomy in order to secure the global bio-sphere, this interventionism now engulfs us all. Brad Evans has written a superb and vital critique which is highly original and compelling. It demands our attention."
Mark Duffield, University of Bristol

"A tour de force. Page after page, the rhetorical motions of the text are disruptive, insightful and compelling. A counter-effectuation of the prevailing, neo-liberal political conceits in both academic and governmental spaces, its contributions to security analysis, critical methods, and political thinking in general will have lasting effects."
Michael J. Shapiro, University of Hawaii, Manoa

"This book is essential reading for anybody who wants to understand the 21st Century security terrain. It illustrates with sophisticated critical poise the ethical and political stakes of the contemporary attempts at securing planetary life. In doing so, the need to think beyond the failures of liberal humanism becomes altogether more urgent and pressing."
Simon Critchley, New School for Social Research

About the Author

Brad Evans is senior lecturer in international relations at the University of Bristol.

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